Відео

One of the best, most goosebump-inducing, and fantastical pieces of film music ever conceived.

Ravel missed the chance of just flatly starting his "waltz" with "4/4".

I've been trying to find a score for this for ages. I really want to recreate this theme as well. Have you already made the sheet music, if so, could I use it to recreate the theme myself?

42:21

4:42 csyo cello

The greatest orchestrater to ever set foot on this earth

Ein Heldenleben (A Hero’s Life)

Bravo!

I must admit the accent bothers me here and prevents a bit from enjoying the beauty of the music and the voice. It is much better for non-natives then to enjoy it.

Around 470 a repetition is possible. So playing the Poco Tranquillo another time.

I bloody loved learning the intro ua-cam.com/video/eZjzXzz4fM8/v-deo.html

My Favorite (of many 😁) 1:38:18 Bbmin section - Alberich yields in impotence and shame, but attempts to salvage dignity by directing his rage upon his less powerful Nibelung slaves. He increasingly presses them _(Rasch da! Rasch!),_ the sound swelling until the section resolves into THE most terrifying F major chord in the repertoire (1:40:04 - Bbmin6 to F).

One of my favorite parts is not in the timestamp: 49:14 the "arietta" of Wolfram in the first act. Such a beautiful, almost Italian-like melody.

wrong note in bassoon 2, b.198

It's too much.

Who is the current Vladimir Horowitz?

The expanded prelude to “ Der Gezeitnegen “ One of the most beautiful pieces of music written in the the 20th century. Thank you for sharing this

Coro stupendo.. Magnifica......

This is the Rimsky Korsakov orchestration. You can tell because it is faster plus the trill that the one tremolo is played backwards instead of forwards. On a string instrument in modern compositions from the classical period onward the trill is played for example as C and then a D. So you get an upwards trill. In Naroque music trills are played backwards ie D then a C. The tremello of this could be C and E forward or E to C backwards. I assume that RK thought sacre blje didn’t they teach you anything at the conservatoire and this has this was an amateurs mistake that Mussorgsky had made and corrected it. The other thing that is different is that Mussorgskys version is a tad slower so you can hear what the players are playing.

Much of it sounds like bad Saint-Saens. Lots of huffing and puffing for nought.

INCREDIBLE stuff!

What are "Space Discs"??

Weird yet beautiful. I love Erik Satie´s music.

Я люблю русскую рождественскую музыку, любовь из Китая.

8:46

for personal reference 4:45

This is just pure genius!

came over because some dude on Reddit described this as "purposefully stupid". came for a laugh. sounds badass to me, though...

Is this ruski or Ukrainian?

...how does one even write this back in the 70s?! lol like...with just a piano and a pencil and paper??? it's mind boggling...so good so good

I'm just so grateful to have been alive to hear this masterpiece.

I kind of love the accidental 7th in the penultimate chord

Daily soap's for my misses, downstairs in the living, me!, upstairs in the library, twenty year old single malt and Wagner.

00:00:01 1.01. Prelude 00:04:14 1.02. Wow! Dare wave, you wave 00:06:38 1.03. Nasty, slippery mica! 00:11:34 1.04. Wallala! Lalaleia! 00:13:58 1.05. Lie, sisters! 00:19:47 1.06. I acquired the world's inheritance through you? 00:24:11 1.07. Wotan! Husband! Awaken! 00:35:04 1.08. Sleep gently closed your eyes 00:42:32 1.09. To me, free ones, avoid them, impudent ones! 00:44:12 1.10. Finally box 00:47:57 1.11. Ingratitude is always Loge's reward! 00:54:58 1.12. A rune spell forces the gold to form a circlet 00:58:05 1.13. Hear, Wotan, the word of the waiting! 01:00:52 1.14. Now what is Wotan thinking so wildly? 01:06:02 1.15. Up, box, down with me! ...Hehe! hehe! here! 01:10:32 2.01. Look, you rogue! 01:12:40 2.02. Nibelheim here 01:18:00 2.03. You'd better watch out! 01:25:33 2.04. Go away, sacrilegious gauch! 01:29:28 2.05. Oh Oh Oh Terrible Snake 01:35:58 2.06. There, cousin, you're stuck! 01:40:40 2.07. I paid; Now let me pull it! 01:46:15 2.08. Am I free now? Really free? 01:50:24 2.09. Fasolt and Fafner approach from afar 01:55:42 2.10. The stakes are planted 02:01:30 2.11. Move over, Wotan, move away 02:07:30 2.12. Horst, you giants! Go back and wait! 02:14:04 2.13. Gay fumes... The bridge leads to the castle 02:17:17 2.14. In the evening the sun's eyes shine 02:22:07 2.15. Rhinegold! Rhinegold! Pure gold!

00:00:01 1.01. Vorspiel 00:04:14 1.02. Weia! Wage Woge, du Welle 00:06:38 1.03. Garstig glatter glitschriger Glimmer! 00:11:34 1.04. Wallala! Lalaleia! 00:13:58 1.05. Lugt, Schwestern! 00:19:47 1.06. Der Welt Erbe gewann' ich zu eigen durch dich? 00:24:11 1.07. Wotan! Gemahl! Erwache! 00:35:04 1.08. Sanft schlos Schlaf dein Aug' 00:42:32 1.09. Zu mir, Freie Meide sie, Frecher! 00:44:12 1.10. Endlich Loge 00:47:57 1.11. Immer ist Undank Loges Lohn! 00:54:58 1.12. Ein Runenzauber zwingt das Gold zum Reif 00:58:05 1.13. Hor', Wotan, der Harrenden Wort! 01:00:52 1.14. Was sinnt nun Wotan so wild? 01:06:02 1.15. Auf, Loge, hinab mit mir! ... Hehe! hehe! hieher! 01:10:32 2.01. Schau, du Schelm! 01:12:40 2.02. Nibelheim hier 01:18:00 2.03. Nehmt euch in acht! 01:25:33 2.04. Vergeh, frevelnder Gauch! 01:29:28 2.05. Ohe Ohe Schreckliche Schlange 01:35:58 2.06. Da, Vetter, sitze du fest! 01:40:40 2.07. Gezahlt hab' ich; nun last mich zieh'n! 01:46:15 2.08. Bin ich nun frei? Wirklich frei? 01:50:24 2.09. Fasolt und Fafner nahen von fern 01:55:42 2.10. Gepflanzt sind die Pfahle 02:01:30 2.11. Weiche, Wotan, weiche 02:07:30 2.12. Hort, ihr Riesen! Zuruck, und harret! 02:14:04 2.13. Schwules Gedunst ... Zur Burg fuhrt die Brucke 02:17:17 2.14. Abendlich strahlt der Sonne Auge 02:22:07 2.15. Rheingold! Rheingold! Reines Gold!

6:58

32:30

35:18

Esto suena a una pelicula de terror

Beautiful ❤️

Omg thanks for the giving us historic background of this piece it was like living it

liszt composed songs that nobody exept him could play😡

Amazing work!!

Is this MIDI playing? It' amazing!

9:39 Ahhh

When you want to give the concertmaster a mini violin concerto.

This isn’t how Puccini envisioned how the opera should end. Alfonso did something which was heinous by using his own ideas not the ones of Puccini. Alfonso met with Puccini before his death. He was dying from throat cancer. He was due to have a procedure to remove the tumour but Puccini died not long after the operation and never came out of the anaesthesia they gave him. The meeting was to show what Puccini planned for the finale. Toscanini was also at the meeting. What they got was a composer trying to out his style in the finale which shows badly. Yes he did the job and finished the work but he finished the work in his style not in Puccini’s style. Toscanini wasn’t impressed and did something unusual at the first performance. When he came to the last note that Puccini wrote he out down his baton and turned around to the audience and said no more. Basically he stopped in tribute to Puccini’s musicianship.

Isn’t this the piece that Rimsky Korsakov butchered. I prefer the original Orchestration by Mussorgsky himself. It’s not as furiously fast as the RK orchestration. RK also changed the music at the end with another tune from Mussorgskys repertoire. He didn’t need to do this as the original work ws fine as it was. It is a revelation to those who have never heard the Mussorgsky original.

The song that the chorus is singing is a Russian folksong. Interestingly this tune appears in a choral work by Sydney Campbell called Praise to God in the Highest. The tune forms most of the work.

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